Multi-Channel H.264 Recorder


Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities.

4x 3G-SDI and 4x HDMI digital video inputs with flexible channel assignments provides connections to the latest video sources, including cameras. Incoming video sources do not have to be genlocked due to Ki Pro GO’s input frame syncs. Ki Pro GO also features AJA’s high quality de-interlacers on each input so progressive recordings can be made from interlaced inputs. High quality 2-channel embedded audio or balanced XLR analog audio can be assigned to any recording channel. Multi-Channel Matrix Monitoring enables multiple video channels to be viewed on any single HDMI display.

Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO is well suited for use in any environment.


  • Multi-channel H.264 recording
  • 4x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 media
  • Redundant recording to a 5th USB port on the rear of the unit
  • Genlock free inputs
  • 4x 3G-SDI inputs
  • 4x 3G-SDI ouputs
  • 1x 3G-SDI monitoring output
  • 4x HDMI inputs
  • 1x HDMI monitoring output
  • HDMI multi-channel matrix monitoring
  • Single-channel H.264 playback
  • Selectable VBR recording settings
  • Balanced XLR analog audio inputs, mic/line/48v switchable
  • 2-channel embedded audio per video input
  • Easy-to-use web UI, compatible with standard web browsers
  • Front panel button controls with integrated HD resolution screen
  • Stand-alone operation

Introducing Ki Pro GO Video

Watch to learn more about Ki Pro GO’s key features including Multi-Channel HD and SD capture to USB media, redundant recordings to a fifth USB port on the rear, elegant web interface for remote control and more.

Genlock Free Recording with Easy Input Mapping

Record 1, 2, 3 or 4-channels of HD or SD up to 1080p 50/60 in H.264 simultaneously with Ki Pro GO. Simplify your setup by connecting up to four HDMI and four 3G-SDI source cables into Ki Pro GO and assign any combination of four inputs at a time for four channels of H.264 recording to the four USB ports on the front of Ki Pro GO.  Time is always tight, especially for live events. Ki Pro GO’s Genlock free inputs make it is easy to switch your sources including SDI cameras, DSLRs, or HDMI cameras to the appropriate recording channel, all conveniently mapped within Ki Pro GO’s elegant UI.

H.264 Encoding

Pick your Quality. Deliver your Bit Rate. Ki Pro GO allows independent quality settings per channel for recording; with three recording settings choices for any channel assignment depending upon your delivery need or eventual bandwidth allocation for the file’s playback stream.

Pick between Low, Medium and High VBR Recording Settings:

  • Low: Suitable for talking heads, conference backups, security backups and more.
  • Medium: Ideal for higher detail and more complex content.
  • High: Serves well for fast moving, highly detailed content like sports or live event scenarios like concerts.

Ki Pro GO records as a standard .MP4 file, providing convenient flexibility for your workflow path.

Redundant Recording

Ki Pro GO offers a large matrix of possibilities for redundant recording needs. Four USB ports on the front provide easy to access recording media using off the shelf USB drives. A fifth USB port on the rear provides redundant recording of all channels simultaneously, either for backup or pass on of a secondary copy of captured files to postproduction, clients, or others on your team. The workflows below provide some examples of just some of the possibilities possible with Ki Pro GO’s focus on a key concept of ‘pass out’ or ‘pass around’ or ‘handout’ media. Hit stop on your recordings and the show is ready to give to your clients right there and then.

Four Camera Feeds, Primary and Backup Recording

Three Cameras, One PGM Primary and Backup Recording

Primary and Backup H.264 Recording for Ki Pro Ultra Plus

Proxy H.264 Recording for Ki Pro Ultra Plus

Industry Standard Connectivity

The video and audio connections on the rear panel of the Ki Pro GO offers 4x 3G-SDI and 4x HDMI inputs with separate SDI and HDMI monitoring which includes Matrix Monitoring for multi-channel viewing on a single HD display. XLR Analog Audio in offers Mic, Line and Phantom Power for audio recording from master sources, mixers and more. HDMI and SDI 2-channel embedded audio or the XLR analog inputs can be easily assigned to each recording channel.

Four USB ports on the front provide easy to access recording media using off the shelf USB drives, with a fifth USB port on the rear for redundant backup recordings. This allows for backup or pass on of a secondary copy of captured files to post-production, clients, or others on your team.

Four 3G-SDI outputs ensure that signal pass through is available for connectivity into a wide range of devices from routers, to switchers, additional Ki Pros and more.

Redundant power supplies ensure that always up reliability is provided for your critical live event needs.


Multi-Channel Recording in Post-Production

Multi-Channel recording with Ki Pro GO provides individual, discrete recordings for each input, ready to be imported directly into a multi-channel editing sequence.

No additional conversion or software is required, just drag and drop the files directly from the USB drive into your edit software of choice.

Clip names for Ki Pro GO are laid out in a logical manner for easy data management and tuned for multi-channel editing.

Ki Pro GO automatically appends channel and backup naming for easy data management:

Primary recorded file number 144 from channel 1 would read: Clip_ch1_144.mp4
Backup recorded file number 144 from channel 1 would read: Clip_ch1_144_bak.mp4

HD Multi-Channel Matrix Monitoring

Off the Shelf USB Media

High Resolution LCD with Onscreen Intuitive UI

Audio Flexibility

Remote Configuration and Operation



AJA has an extensive range of solutions for the professional video and audio market, from conversion devices to I/O solutions, digital recorders, cameras and more.

AJA’s engineering has consistently supported advancements in broadcast technologies as well as format standards to provide video professionals with future-proof workflow solutions. From the FS family of frame synchronizers, frame rate and format converters, to the powerful TruZoomTM for real time scaling of 4K footage, broadcasters are increasingly relying on AJA gear to simplify the way image files are captured, converted, monitored and distributed.

Additional information


Technical Details

AJA Ki Pro Go Spec Sheet

AJA Ki Pro Go Spec Sheet


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